Young Virtuoso - J.s. / Demyere Bach - Music - ACCENT RECORDS - 4015023241701 - April 25, 2006
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Young Virtuoso

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Johann Sebastian Bach was not only a virtuoso organist, but also a brilliant harpsichordist, who called several harpsichords and Clavichords his own. The young Belgian virtuoso Ewald Demeyere here takes on some early harpsichord works of Bach, where an expressive virtuosity is all together. No wonder, Bach is in these works the North German "Stylus phantasticus" committed. This style maintains the composer as a young Wilder not only extensively but also enjoys unmistakably to his own virtuosity.


W/EWALD DEMEYERE

Media Music     CD   (Compact Disc)
Number of discs 1
Composer Bach
Released April 25, 2006
Original release date 2005
EAN/UPC 4015023241701
Label ACCENT RECORDS ACR24170.2
Genre Chamber Music & Recitals
Dimensions 124 × 143 × 9 mm   ·   100 g   (Weight (estimated))

Track list

    1. Demeyere, Ewald - Fantasie A-moll Bwv 904 (Mit Fug
    2. Fantasie
    3. Fuge
    4. Demeyere, Ewald - Partita Fuer Cembalo A-dur Bwv 8
    5. Allemande
    6. Air Pour Les Trompettes
    7. Sarabande
    8. Bourree
    9. Gigue
    10. Demeyere, Ewald - Fantasie (Praeludium) A-moll Bwv
    11. Demeyere, Ewald - Konzert Fuer Cembalo G-dur Bwv 9
    12. 1. (Ohne Satzbezeichnung)
    13. 2. Largo
    14. 3. Allegro
    15. Demeyere, Ewald - Fantasie B-dur Bwv 907 (Mit Fugh
    16. Fantasie
    17. Fughetta
    18. Demeyere, Ewald - Praeludium Und Fuge A-moll Bwv 8
    19. Praeludium
    20. Fuge
    21. Demeyere, Ewald - Toccata E-moll Bwv 914
    22. Demeyere, Ewald - Fantasie D-dur Bwv 908 (Mit Fugh
    23. Fantasie
    24. Fughetta
    25. Demeyere, Ewald - Fantasie G-moll Bwv 917
    26. Demeyere, Ewald - Capriccio B-dur Bwv 992 (Ueber D
    27. Arioso. Adagio: Ist Eine Schmeichelung Der Freunde
    28. Ist Eine Vorstellung Unterschiedlicher Casuum, Die
    29. Adagiosissimo: Ist Ein Allgemeines Lamento Der Fre
    30. All Hier Kommen Die Freunde (Weil Sie Doch Sehen
    31. Aria Di Postiglione: Allegro Poco
    32. Fuga All'imitatione Di Posta

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